Turn on/off the embedded sound - extract from the Sydney Festival performance of Wreck at Carriageworks 2013


an outback project from Jon Rose

I LOVED IT! Having been involved with multi-disciplinary installations, soundscapes and improvised music for most of my life I have had the pleasure of seeing and hearing many very different works engaging with found objects. Wreck established itself as a quintessential experience for me.
Lieven Bertels (Director, Sydney Festival)

What I really like about WRECK is the everchanging character of the relationship between the object (the wreck), the live performed and the pre-recorded sounds and the moving images. Between powerful acoustic attack and subtle musical discoveries of what is possible. Though overwhelming in its surprising character there is enough space for the spectator to reflect, to imagine - and to get lost between what we hear and what we see: and never be completely sure about it!
Heiner Goebbels (Composer, Music/Theatre Director)

Jon Rose's WRECK is a remarkable feat of musicianship and imagination. Towed in from the remote deserts of New South Wales, Rose's rusted-over car wreck is a powerful presence in the performance space - an iconic, decaying structure that has literally bridged the divide between city and country Australia. Resurrected by the astounding musicianship of Rose and his collaborators, the wreck rattles, pulses, screams, hums, and shudders hypnotically. It is a totally engaging and strangely moving experience to see this ghost of the outback re-animated as a living, sonic entity. This is the history, present and future of our environment, of the complicated relationship between humans and landscape, played out at an electrifying scale.
Jeff Khan (Director, The Performance Space, Sydney)

The other night I was privileged to experience WRECK at Carriageworks presented by Performance Space and the Festival of Sydney. It was amongst the most impressive of Rose's complex and musically rich events to date. The use of projected car wrecks collected from around White Cliffs in Western NSW provided a powerful visual backdrop for what was a masterful musical improvisation. The Performance built from brilliantly controlled bowing and percussion using the car body as an electronic and material sounding board to a crescendo of sound that created the atmospheric impression of cars starting up, reving and possibly crashing. Ballard would have loved it! This is a work that will appeal to a diverse audience anywhere in Australia. I can strongly recommend future events making this a key part of their programme.
Tony Bond (Head Curator international art, Assistant Director, Art Gallery NSW)

Jon Rose plays a classic White Cliffs Wreck 25/7/2011

Wreck has become part of the cultural life of remote indigenous communities such as Lombadina, Djarindjin, and Warmun, in the Kimberley region of Western Australia. Hear the project there now!

The Wreck Team in front of the 'custom augmented wreck' at Lombadina - Djarindjin 2016

Wreck was originally part of the Sound Circus 2012, a project in which composer/artist Jon Rose led a band of musicians and sound artists to Corner Country - the outback where NSW, Queensland, and South Australia meet. Sound Circus was an expedition of self-education and sonic discovery, as well as a contemporary take on the notion of singing up the neglected parts of our continent.

Wreck is one of the main sculptural features of the outback, the rusting history of Australian transportation, turning the very colour of the outback itself - imbedded, iconic, stranded, entropic, defeated - returning to the chemical parts from which it was made.

Wrecks surround the mining town of White Cliffs, NSW. We have brought one of these back to Sydney to be installed, turned into a substantial musical instrument, and sonified in performance. This 1967 Holden Utility was once owned by Clair Innes, she could be seen in the 1970s driving it around Smiths Hill, White Cliffs minus one of the car doors - as you see it here at Carriage works. How did it lose its door? According to locals, it only ever had one door.

Wreck is the origin of the sound sources and also the amplifier of its emotive rattles, buzzes, hums, furious metallic rhythms, and disturbing shakes. Wreck sings up the quiet fragile creaks of old age to rock 'n roll levels of destructive vibration. WRECK situates itself somewhere between a DB drag race, an exercise in entropy, a celebration of the outback, and the reciprocity between urban and rural life.

Wreck is a budget multi-media experience incorporating images of a hundred of the most beautiful outback car wrecks and a team of musicians/sound artists using the Wreck as both icon, instrument, intensifier, and vibrating transmitter. A lone violinist provides commentary on the proceedings. Bring your earplugs and let the waves of sonic rust massage your solar plexus.

Special Thanks to: Lindsay White for transporting the Wreck from White Cliffs to Sydney; Gaye Nichols, Cree Mitchell, and Lindsay White for hosting Sound Circus in White Cliffs in 2012 as part of the Underground Arts Festival; Tony Bond, the Art Gallery of NSW, for his generous support of the project.

Wreck performance Team at The Sydney Festival: Jon Rose (concept, director, musician, artist), Claire Edwardes (percussionist), Erkki Veltheim (scordatura violin, nail gun), Aaron Clarke (sound system), Nicholas Rayment (lighting), Tristan Ellis-Windsor (production manager), Jeff Khan (director Performance Space, Sydney).

Wreck video extract from The Sydney Festival performance 11/1/2013

Wreck video sounds used in the Sydney Festival performances 2013

This classic White Cliffs car wreck was sung up by Jon Rose on 25/7/2011

A recent audio mix of the Warmun Wreck 2018

© Jon Rose 2012

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wreck near Lombadina, Western Australia
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the White Cliffs Wreck being unloaded at Carriageworks, Sydney
the White Cliffs Wreck in situ for the performance at The Sydney Festival
Jon Rose behind the wheel of the White Cliffs Wreck, Sydney 2013
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